A Clockwork July

 I must begin with two apologies, this update is late and the sync dates don't appear on the last entry for July. Don't know what happened, I did them, maybe they weren't saved properly. I wish I had a staff I could blame it on, maybe I should make one up. Anyway, I'll try to do better in July which is already upon us. Part five of Julli Kearns shot-by-shot analysis which covers the events of July can be found here. She has some interesting research on Serum 114 amongst her many astute observations. 

As to what's happening, it's a grim watch. We shift from Alex's violence to state violence. There's a clear suggestion that the films Alex is being shown are not fakes. Now the misery is being inflicted by men and women in white coats in the name of science. The summary has the scene changes, the bold numbers in the script below signal the changes day by day. If you've stumbled on this by accident (traveller, you are very lost indeed), then it all relates to this.

July Summary

1st July - Ludovico exterior 

2 -7 - Ludovico project entrance lobby

8- 11 - Alex's room at the Ludovico project

12 - 20 -Cinema (includes first two Ludovico films)

21 - 23 Alex's room

24 - 25 - Nazi war film with voice-over

26 - 31 - Cinema

July day by day

INT. LUDOVICO CENTRE RECEPTION DESK – DAY

ALEX (V.O.)

1st The next morning I was taken to the

Ludovico Medical Facility, outside the

town centre, and I felt a malenky bit sad

having to say goodbye to the old Staja, as

you always will when you leave a place

you've like gotten used to.

Chief Guard briskly leads the way for Alex and escort. They move

into reception hall where the Doctor stands.

CHIEF GUARD

(shouting like an RSM)

Right. Halt the prisoner. Good morning,

sir, I'm Chief Officer Barnes. I've got

2nd 655321 on a transfer from Parkmoor to the

Ludovico Centre, sir!

DOCTOR

Good morning, we've been expecting you.

I'm Dr. Alcott.

Chief Guard checks the name from his clipboard.

CHIEF GUARD

Yes, Dr. Alcott. Are you prepared to

accept the prisoner, sir?

DOCTOR

Yes, of course.

CHIEF GUARD

Well, 3 I wonder if you'd mind signing these

transfer documents, sir.

Doctor signs.

CHIEF GUARD

Thank you, sir. There, sir... there,4  and

there, sir... and there.5 Thank you, sir.

Prison escort move forward. Halt. Excuse

me, sir. Is that the officer that is to

take charge of the prisoner, sir?

6 Doctor nods. Officer steps forward.

CHIEF GUARD

If I might offer a word of advice, Doc.

You'll have to watch this one. A right

brutal bastard he has been, and will be

again. In spite all his sucking up to the

prison Chaplain and reading the Bible.

DOCTOR

Oh, I think we can manage things. Charlie,

7 will you show the young man to his room

now.

CHARLIE

Right, sir. Come this way, please.

Alex exits with Officer.

INT. ALEX'S ROOM – LUDOVICO CENTRE – DAY

Alex finishing breakfast tray in bed.

Room bright and cheery.

Dr. Branom, a tall woman in her fifties, enters with nurse

carrying a sterile tray.

DR. BRANOM

(very briskly)

Good morning, Alex, my name is Dr. Branom.

I'm Doctor Brodsky's assistant.

ALEX

Good Morning, Missus.8 Lovely day, isn't

it?

DR. BRANOM

Indeed it is. May I take this

She removes his tray.

DR. BRANOM

How're you feeling this morning?

ALEX

Fine... fine.

DR. BRANOM

Good. In a few minutes, you'll meeting Dr.

Brodsky and we'll begin your treatment.

You're a very lucky boy to have been

chosen.

ALEX

I realise all that, Missus, and I'm very

grateful to all concerned. 9

DR. BRANOM

We're going to friends now, sir.

ALEX

I hope so, Missus.

She inserts a needle into the medicine vial.

ALEX (CONT'D)

What's the hypo for then? Going to send me

to sleep?

DR. BRANOM

Oh no, nothing of the sort.

ALEX

Vitamins will it be then?

DR. BRANOM

Something like that. You are a little

undernourished, so after each meal were

going to give you a shot. Roll over on

your right side please, loosen your pajama

pants 10  and pull them half-way down.

He does, somewhat reluctantly. She gives him a shot in the bum.

ALEX

What exactly is the treatment here going

to be then?

DR. BRANOM

It's quite simple really. Were just going

to show you some films.

ALEX

You mean like going to the pictures?

DR. BRANOM

11 Something like that.

ALEX

Well, that's good. I like to viddy the old

films now and again.

INT. AUDIO VISUAL LUDOVICO CENTRE – DAY

Auditorium setting. Alex is bound in a examination chair in front

of a large video screen. A white-coated Technician is strapping

Alex's head to a medical device.

He then carefully attaches the eyelid locking to Alex's eyes.

ALEX (V.O.)

And viddy films I would. Where I was taken

to, brothers, was like no cine I'd been in

before. I was bound up in a straight#jacket and my guliver was strapped to a

headrest with like wires running away from

it. 12 Then they clamped like lidlocks on my

eyes so I could not shut them no matter

how hard I tried. It seemed a bit crazy to

me, but I let them get on with what they

wanted to get on with. If I was to be a

free young malchick in a fortnight's time,

I would put up with much in the meantime,

my brothers. 13

At the back of the auditorium are ten or fifteen solemn medical

Professionals in white coats watching the proceedings and

occasionally taking notes. A film begins showing on the screen.

The Technician drops eyedrops into Alex's eyes.

VIOLENCE FILM

Man being beaten by four toughs wearing white.

Punches, kicks, grunts, blood. 14

ALEX (V.O.)

So far the first film was a very good

professional piece of cine, looked like it

was done in Hollywood.

Screams, moans, kicks, punches.

ALEX (V.O.)

The sounds were real horroshow. You could

slooshy the screams and moans very

realistic and you could even get the heavy

breathing and panting of the tolchocking

malchicks at the same time. And then, what

do you know, soon our dear old friend, the

15 red, red vino on tap. The same in all

places like it's put out by the same big

firm, began to flow. It was beautiful.

It's funny how the colors of the real

world only seem really real when you viddy

them on a screen.

More kicks, punches, groans, thumps.

Girl being beaten, raped by six toughs.

Screams, music, laughing, grunts, heavy breathing.

ALEX (V.O.)

Now all the time I was watching this, I

was 16 beginning to get very aware of like

not feeling all that well, but I tried to

forget this, concentrating on the next

film, which jumped right away on a young

devotchka, who was being given the old in#out, in-out, first by one malchick, then

another, 17 then another. This seemed real,

very real, though if you thought about it

properly you couldn't imagine lewdies

actually agreeing to having all this done

to them in a film, and if these films were

made by the good, or the State, you

couldn't imagine them being allowed to

take these films, without like interfering

with what was going on.

Girl being raped.

ALEX (V.O.)

When it came to the sixth or seventh

malchick, leering and smecking and then

going into it, I began to feel really

sick. But I could not shut my glazzies and

even if I tried to move 18 my glazballs about

I still not get out of the line of fire of

this picture.

Alex squirming and retching.

Dr. Brodsky clears his throat and quietly addresses his collegues

seated in the back of the room.

DR. BRODSKY

Very soon now 19 the drug will cause the

subject to experience a death-like

paralysis together with deep feelings of

terror and helplessness. One of our

earlier test subjects described it as

being like death, a sense of stifling and

drowning, and it is during this period we

have found the subject will make his most

20 rewarding associations between his

catastrophic experience and environment

and the violence he sees.

Alex retching violently and struggling against his strait jacket.

ALEX

Let me be sick... I want to get up. Get me

something to be sick in... Stop the

film... Please stop it... I can't stand it

any more. Stop it please... please.

INT. ALEX'S ROOM – LUDOVICO – DAY

DR. BRANOM

Well, that was a very promising start. By

my calculations, you should be starting to

feel alright again. Yes? Dr. Brodsky's

pleased with you. Now tomorrow there'll be

two sessions, of course, morning and

afternoon.

ALEX

You mean, I have to viddy two sessions in

one day?

DR. BRANOM

21 I imagine you'll be feeling a little bit

limp by the end of the day. But we have to

be hard on you. You have to be cured.

ALEX

But it was horrible.

DR. BRANOM

Well, of course, it was horrible. Violence

is a very horrible thing. That's what

you're learning now. Your body is learning

it.

ALEX

I just don't understand about feeling sick

the way I did. I never used to feel sick

before. I used to feel like the very

opposite.22 I mean, doing it or watching it,

I used to feel real horrorshow. I just

don't understand why, how or what.

DR. BRANOM

You felt ill this afternoon because you're

getting better. You see, when we're

healthy we respond to the presence of the

hateful with fear and nausea. You're

becoming healthy that's all. By this time

tomorrow you'll be healthier still. 23

INT. AUDIO VISUAL LUDOVICO CENTRE – DAY

Alex retching and screaming – restrained again by a straight#jacket. 

24 (Nazi war film playing) ALEX (V.O.)

25 It was the next day, brothers, and I had

truly done my best, morning and afternoon,

to play it their way and sit like a

horrorshow co-operative malchick in the

chair of torture, while they flashed nasty

bits of ultra-violence on the screen.; 26

though not on the soundtrack, my brothers.

The only sound being music. Then I noticed

in all my pain and sickness what music it

was that like cracked and boomed. It was

Ludwig van – 9th symphony, 4th movement. 27

ALEX

Stop it... stop it, please!!! I beg of

you!!! It's a sin!!! It's a sin!!! It's a

sin, please!!!

Brodsky leans forward and turns down the sound.

DR. BRODSKY

28 What's all this about sin?

ALEX

That!... Using Ludwig van like that! He

did no harm to anyone. Beethoven just

wrote music.

DR. BRANOM

Are you referring to the background score?

ALEX

Yes!!!

DR. BRANOM

You've heard Beethoven before?

ALEX

Yes!!!

DR. BRODSKY

29 You're keen on music?

ALEX

Yes!!!

DR. BRANOM

(quietly)

What do you think about that, Dr. Brodsky?

DR. BRODSKY

(softly)

It can't be helped. Here's your punishment

element perhaps. The Governor ought to be

pleased... I'm sorry, Alex, this is for

your own good, 30 you'll have to bear with us

for a while.

ALEX

You needn't take it any further, sir.

You've proved to me 31 that all this ultra#violence and killing is wrong and terribly

wrong. I've learned my lesson, sir. I see

now what I've never seen before I'm cured,

praise Bog!

DR. BRODSKY

You're not cured yet, my boy.

A Clockwork June

It's that time again. Format as before, the summary tells you which scene is when, although Blogos suggests that this year has a more complex schedule with different sequences playing out across different times. 

Below the summary, please find the portion of the screenplay assigned to June with a date showing (approximately) where the new day begins. Julli Kearns breakdown is a thing of beauty so I'll point you to it as the best companion to the movie. 

When we left Alex in May, he was daydreaming in the prison library... 

June Summary

01-04th Alex dream sequence

Our hero has been reading the Bible, but perhaps not with the result the Priest hoped for:

05-14 Prison Library

Alex puts himself forward for the Ludovico procedure:

15th Exercise Yard

16th Prison corridor

17-18 Alex's cell

The Minister inspects Alex's cell

18-23 Exercise Yard

And Alex succeeds in catching his attention in the yard

25-30th Governors Office

The Governor is unhappy that Alex is getting out

June Day by Day script sync

ALEX (V.O.)

It had been arranged by the prison

charlie, as part of my further education

to read him the Bible. I didn't so much

like the latter part of the book which is

more like all preachy talking, than

fighting and the old in-out. I liked the

parts where these old yahoodies tolchock

each other and then drink their Hebrew

vino and, then getting on to the bed with

their wives' handmaidens. That kept me

going.

BIBLE FANTASY – FIGHTING – DAY

Biblical fighting shot. Alex slashing away. Blood spurting.

HANDMAIDEN FANTASY IN TENT – DAY

Alex lying with three semi-nude handmaidens.

EXT. BIBLICAL STREET

Christ being whipped on by Alex, dressed as a Legionary.

ALEX

Move on there. Move on.

ALEX (V.O.)

I read all about the scourging and the

1st crowning with thorns and all that, and I

could viddy myself helping in and even

taking charge of the tolchocking and the

nailing in, being dressed in the height of

Roman fashion.

BACK TO THE LIBRARY

Alex sits with his eyes closed.

Priest comes over and squeezes his shoulder.

Alex looks up at him and smiles.

PRIEST

(reading from Alex's

Bible)

Seek not to be like evil men, neither

desire to be with them, because their

minds studieth robberies and their lips

speak deceits.

ALEX

If thou lose hope being weary in the days

of distress, thy strength shall be

diminished.

PRIEST

Fine, my boy, fine, fine.

ALEX

Father, I have tried, have I not?

PRIEST

You have, my son.

ALEX

I've done my best, have I not?

PRIEST

Indeed.

ALEX

And, Father, I've never been guilty of any

institutional infractions, have I?

PRIEST

You certainly have not, 655321. You've

been very helpful, and you've shown a

genuine desire to reform.

ALEX

Father – may I ask you a question in

private?

PRIEST

Certainly, my son, certainly. Is there

something troubling you, my son? Don't be

shy to speak up. Remember, I know all the

urges that can trouble young men deprived

of the society of women.

ALEX

No Father. It's nothing like that, Father.

It's about this new thing they're all

talking about. About this new treatment

that you out of prison in no time at all

and makes sure you never get back in

again.

PRIEST

Where did you hear about this? Whose been

talking about these things?

ALEX

These things get around, Father. Two

Warders talk as it might be, and somebody

can't help overhearing what they say. Then

somebody picks up a scrap of newspaper in

the workshops and the newspaper tells all

about it. How about putting me in for this

new treatment, Father?

PRIEST

I take it you are referring to the

Ludovico Technique?

ALEX

I don't know what it's called, Father, all

I know is that it gets you out quickly and

makes sure that you never get in again.

PRIEST

That's not proven, 655321. In fact, it is

only in the experimental stage at this

moment.

ALEX

But it is being used, isn't it, Father?

PRIEST

It has not been used yet in this prison.

The Governor has grave doubts about it and

I have heard that there are very serious

dangers involved.

ALEX

I don't care about the danger, Father. I

just want to be good. I want for the rest

of my life to be one act of goodness.

PRIEST

The question is weather or not this

technique really makes a man good.

Goodness comes from within. Goodness is

chosen. When a man cannot chose, he ceases

to be a man.

ALEX

I don't understand about the whys and

wherefores, Father. I only know I want to

be good.

PRIEST

Be patient, my son, and put your trust in

the Lord.

ALEX

Instruct thy son and he shall refresh thee

and shall give delight to thy soul.

PRIEST

Amen.

They cross themselves.

EXT. PRISON YARD – DAY

Prisoners walking in circles.

INT. PRISON CORRIDOR

Guards stand either side of cell doors.

Chief Guard with Governor, Minister and entourage.

CHIEF GUARD

Mister.

GUARD

All present and correct, sir.

CHIEF GUARD

Right. All present and correct, sir.

GOVERNOR

Very good, Chief.

They inspect cells.

CHIEF GUARD

Leave to carry on, sir, please?

GOVERNOR

Carry on, Chief.

CHIEF GUARD

Sir.

EXT. PRISON YARD

Chief Guard comes out of door.

CHIEF GUARD

Right, pay attention. I want you in two

lines. Up against that wall facing this

way. Go on move! Hurry up about it and

stop talking.

The men line up. Chief Guard moves back to door and comes to

attention.

CHIEF GUARD

Ready for inspection, sir.

He stands back and salutes as Governor, Minister and entourage

enter and walk along line of men.

MINISTER

How many to a cell?

GOVERNOR

Four in this block, sir.

MINISTER

Cram criminals together and what do you

get – concentrated criminality... crime in

the midst of punishment.

GOVERNOR

I agree, sir. What we need are larger

prisons. More money.

MINISTER

Not a chance, my dear fellow. The

Ggovernment can't be concerned any longer

with outmoded penological theories. Soon

we may be needing all of out prison space

for political offenders. Common criminals

like these are best dealt with on a purely

curative basis. Kill the criminal reflex

that's all. Full implementation in a

year's time. Punishment means nothing to

them, you can see that... they enjoy their

so-called punishment.

Alex seizes his chance as they pass by.

ALEX

You're absolutely right, sir.

CHIEF GUARD

Shut your bleedin' hole!!!

MINISTER

Who said that?

ALEX

I did, sir.

MINISTER

What crime did you commit.

ALEX

The accidental killing of a person, sir.

CHIEF GUARD

He brutally murdered a woman, sir, in

furtherence of theft. 14 years... sir!

MINISTER

Excellent. He's enterprising, aggressive,

outgoing. Young. Bold. Viscous. He'll do.

GOVERNOR

Well, fine... we could still look at CBlock.

MINISTER

No, no, no. That's enough. He's perfect. I

want his records sent to me. This vicious

young hoodlum will be transformed out of

all recognition.

ALEX

Thank you very much for this chance, sir.

MINISTER

Let's hope you make the most of it, my

boy.

GOVERNOR

Shall we go to my office?

MINISTER

Thank you.

INT. GOVERNOR'S OFFICE – DAY

Governor seated at his desk. There is a knock on the door.

GOVERNOR

Come in.

Door opens. Chief Guard enters with Alex.

CHIEF GUARD

Sir, 655321, sir.

GOVERNOR

Very good, Chief.

Chief Guard turns to Alex.

CHIEF GUARD

Forward to the white line, toes behind it.

Full name and number to the Governor.

Chief Guard closes door.

ALEX

Alexander de Large, sir. 655321, sir.

The Governor takes off his glasses.

GOVERNOR

I don't suppose you know who that was this

morning, do you? That was no less a

personage than the Minister of the

Interior and what they call a very new

broom. Well, these new ridiculous ideas

have come at last, and orders are orders,

though I may say to you in confidence that

I do not approve. An eye for an eye, I

say, if someone hits you, you hit back, do

you not? Why then should not the State

very severely hit by you brutal offenders

not hit back also? But the new view is to

say no. The new view is that we turn the

bad into good. All of which seems to be

grossly unjust. Hmmmmmm.

ALEX

Sir...

CHIEF GUARD

Shut your filthy hole, you scum!!!

GOVERNOR

You are to be reformed. Tomorrow you go to

this man, Brodsky. You will be leaving

here. You will be transferred to the

Ludovico Medical Facility. It is believed

that you will be able to leave State

custody in a little over a fortnight. I

suppose that prospect pleases you?

CHIEF GUARD

Answer when the Governor asks you a

question you filthy young swine!

ALEX

Oh yes, sir. Thank you very much, sir.

I've done my best here I really have, sir.

I'm very grateful to all concerned.

GOVERNOR

Sign this – where it's marked.

Alex turns the paper to read it.

CHIEF GUARD

Don't read it – sign it!

GOVERNOR

It says that you are willing to have the

residue of your sentence commuted to the

Ludovico treatment.

Alex signs. Governor gathers up papers.

Alex dots the last "i" and smiles.

INT. LUDOVICO CENTRE RECEPTION DESK – DAY

ALEX (V.O.)

The next morning I was taken to the

Ludovico Medical Facility, outside the

town centre, and I felt a malenky bit sad

having to say goodbye to the old Staja, as

you always will when you leave a place

you've like gotten used to.

Chief Guard briskly leads the way for Alex and escort. They move

into reception hall where the Doctor stands.

CHIEF GUARD

(shouting like an RSM)

Right. Halt the prisoner. Good morning,

sir, I'm Chief Officer Barnes. I've got

655321 on a transfer from Parkmoor to the

Ludovico Centre, sir!

DOCTOR

Good morning, we've been expecting you.

I'm Dr. Alcott.

Chief Guard checks the name from his clipboard.

CHIEF GUARD

Yes, Dr. Alcott. Are you prepared to

accept the prisoner, sir?

DOCTOR

Yes, of course.

CHIEF GUARD

Well, I wonder if you'd mind signing these

transfer documents, sir.

Doctor signs.

CHIEF GUARD

Thank you, sir. There, sir... there, and

there, sir... and there. Thank you, sir.

Prison escort move forward. Halt. Excuse

me, sir. Is that the officer that is to

take charge of the prisoner, sir?

Doctor nods. Officer steps forward.

CHIEF GUARD

If I might offer a word of advice, Doc.

You'll have to watch this one. A right

brutal bastard he has been, and will be

again. In spite all his sucking up to the

prison Chaplain and reading the Bible.

DOCTOR

Oh, I think we can manage things. Charlie,

will you show the young man to his room

now.

CHARLIE

Right, sir. Come this way, please.

A Clockwork May

If April was the cruellest month for Mrs Weathers, May is no picnic for our anti-hero as the long arm of the law finally has him in its grasp. 

Follow Juli Kearns astute analysis of these sequences here. Ms Kearns is a brilliant observer and deftly brings elements of Kubricks other works into the analysis.  She has some good points on the use of the eye and a possible tarot link which anyone reading here will probably appreciate. Don't read this, read her!

With that said, here's the 'meat and potatoes' ie the timings for May...  I've kept the same format, the summary details the scene changes, but scroll down below to the script if you want to find out exactly where we are in the movie on a given day. Just look for the date by the dialogue. As before, the timings should be ok, but occasionally the change occurs without a helpful bit of dialogue to sync it too, so allow a little leeway. 

May Summary

1st-7th: Police Station 

 Alex's misdeeds have finally caught up with him in May. After the police and Mr Deltoid have indulged in some retributive justice of their own we move to...

8th:  External Prison VO shot

He's sent to prison where a dehumanising admission process ensues

9th - 23rd: Prison Admission  

Followed by a sermon where Alex narrates how miserable his situation has become.

24th - 30th: Religious Sermon 

May ends in the library where Alex daydreams will prove to be as violent as ever. 

May Timings

 

ALEX

Ow... what's that for, you bastard?

1st

FATNECK

That was for your lady victim. You ghastly

wretched scoundrel.

Alex grabs his balls.

Alex is beaten by the other Cop.

Inspector exits to outside office where Sergeant sits, sipping a

cup of tea.

Deltoid has just entered.

INSPECTOR

Sergeant.

SERGEANT

Sir.

2nd

INSPECTOR

Ah, good evening, Mr. Deltoid.

DELTOID

Evening, Inspector.

SERGEANT

Would you like your tea now, sir?

INSPECTOR

No, thank you, Sergeant. We'll have it

later. May I have some paper towels,

please.

SERGEANT

Yes, sir.

INSPECTOR

We're interrogating the prisoner now.

Perhaps you'd care to come inside.

3rd

DELTOID

Thank you very much

They move into Interrogation Room.

Alex is on the floor in the corner covered with blood.

DELTOID

Evening, Sergeant. Evening, all. Dear,

dear, this boy does look a mess, doesn't

he? Just look at the state of him.

FATNECK

Love's young nightmare like.

INSPECTOR

Violence makes violence. He resisted his

lawful arrestors.

DELTOID

Well, it's happened, Alex boy, yes. Just

as I thought it would, yes. Dear, dear,

dear. 4th Well, this is the end of the line

for me... the end of the line, yes.

ALEX

It wasn't me, brother, sir. Speak up for

me, sir, for I'm not so bad. I was led on

by the treachery of others, sir.

INSPECTOR

Sings the roof off lovely, he does that.

ALEX

And where are my stinking traitorous

droogs. Get them before the get away. It

was all their idea, brothers. They forced

me to do it. 5th I'm innocent.

DELTOID

You are now a murderer, little Alex. A

murderer, yes.

ALEX

Not true, sir. It was only a slight

tolchock. She was breathing, I swear it.

6th

DELTOID

I've just come back from the hospital.

Your victim has died.

ALEX

You try to frighten me, sir, admit so,

sir. This is some new form of torture. Say

it, brother, sir.

DELTOID

It will be your own torture. I hope to God

it will torture you to madness.

7th

FATNECK

If you'd care to give him a bash in the

chops, sir. Don't mind us. We'll hold him

down. He must be a great disappointment to

you, sir.

Deltoid spits in Alex's face.

8th (Alex wipes face)

HELICOPTER VIEWS OF PRISON

ALEX (V.O.)

This is the real weepy and like tragic

part of the story beginning, O my brothers

and only friends. 9th After a trial with

judges and a jury, and some very hard

words spoken against your friend and

humble narrator, he was sentenced to 14

years in Staja No. 84F among smelly

perverts and hardened prestoopnicks, the

shock sending my dadda beating his bruised

and kroovy rookas against unfair Bog in

his Heaven, and my mom, boohoohooing in

her mother's grief 10th as her only child and

son of her bosom, like letting everybody

down real horrorshow.

INT. PRISON CHECK-IN ROOM – DAY

A bell rings and a Warder goes and unlocks first a wooden door and

then a barred door.

GUARD

Morning. One up from Thames, Mister.

WARDER

One in from Thames, sir.

CHIEF GUARD

Right. Open up, Mister.

WARDER

Yes, sir.

He opens door and steps back. Alex and another Warden move to

Reception desk.

11th

WARDER

Good morning, sir. Committal sheet.

CHIEF GUARD

(who shouts everything)

Thank you, Mister.

He signs sheet.

GUARD

Name?

ALEX

Alexander de Large.

CHIEF GUARD

You are now in H.M. Prison Parkmoor and

from this moment you will address all

prison officers as sir! Name?

12th

ALEX

Alexander de Large, sir.

CHIEF GUARD

Crime?

ALEX

Murder, sir.

CHIEF GUARD

Right. Take the cuffs off him, Mister.

The cuffs are removed.

13th

CHIEF GUARD

You are now 655321 and it is your duty to

memorise that number.

He hands clipboard back to Warder.

CHIEF GUARD

Thank you Mister. Well done.

WARDER

Thank you, chief.

CHIEF GUARD

Let the officer out.

Officer exits.

CHIEF GUARD

Right. Empty your pockets!

Alex moves to desk and leans forward.

14th

CHIEF GUARD

Are you able to see that white line

painted on the floor directly behind you,

655321?

ALEX

Yes, sir.

CHIEF GUARD

Then your toes belong on the other side of

it!!!

ALEX

Yes sir.

CHIEF GUARD

Right carry on.

Alex tosses a bar of chocolate on the desk.

15th

CHIEF GUARD

Pick that up and put it down properly.

Alex does so, and continues to empty his pockets.

CHIEF GUARD

One half bar of chocolate. 16th One bunch of

keys on white metal ring. One packet of

cigarettes. Two plastic ball pens – one

black, one red. One pocket comb – black

plastic. 17th One address book – imitation red

leather. One ten penny piece. One white

metal wristlet watch, "Timawrist" on a

white metal 18th expanding bracelet. Anything

else in your pockets?

ALEX

No, sir.

CHIEF GUARD

Right. Sign here for your valuable

property.

Alex signs.

CHIEF GUARD

The chocolate and cigarettes you brought

in – 19th  you lose that as you are now

convicted. Now go over to the table and

get undressed.

Alex walks to table and undresses. Chief Guard moves to table with

his clipboard.

CHIEF GUARD

Now then, were you in Police custody this

morning?

ALEX

No, sir.

CHECK-IN

One jacket – blue pinstripe.

CHIEF GUARD

Prison custody?

ALEX

Yes, sir On remnd, sir.

CHECK-IN

One neck tie – blue.

CHIEF GUARD

Religion?

20th

ALEX

C of E, sir.

CHIEF GUARD

Do you mean Church of England?

ALEX

Yes, sir, Church of England, sir.

CHIEF GUARD

Brown hair, is it?

ALEX

Fair hair, sir.

CHIEF GUARD

Blue eyes?

ALEX

Blue eyes, yes, sir.

CHIEF GUARD

Do you wear eye glasses or contact lenses?

ALEX

No, sir.

CHECK-IN

One shirt – blue, collar attached.

CHIEF GUARD

Have you been receiving medical treatment

for any serious illness?

ALEX

No, sir.

21st

CHECK-IN

One pair of boots – black leather,

zippered, worn.

CHIEF GUARD

Have you ever had any mental illness?

ALEX

No, sir.

CHIEF GUARD

Do you wear any false teeth or false

limbs?

ALEX

No, sir.

CHECK-IN

One pair of trousers – blue pinstriped.

CHIEF GUARD

Have you ever had any attacks of fainting

or dizziness?

ALEX

No, sir.

CHECK-IN

One pair of socks – black.

CHIEF GUARD

Are you an Epileptic?

ALEX

No, sir.

CHECK-IN

One pair of underpants – white with blue

waistband.

22nd

CHIEF GUARD

Are you now, or ever have been, a

homosexual?

ALEX

No, sir.

CHIEF GUARD

Right. The mothballs, Mister.

CHECK-IN

Mothballs, sir.

CHIEF GUARD

Now then. Face the wall. Bend over and

touch your toes.

Chief Guard inspects Alex's anus with a penlight.

CHIEF GUARD

Mmmmmmm... any venereal disease?

ALEX

No, sir.

CHIEF GUARD

Crabs?

ALEX

No, sir.

CHIEF GUARD

Lice?

ALEX

No, sir.

23rd

CHIEF GUARD

Through there for a bath.

ALEX

Yes, sir.

INT. PRISON CHAPEL – DAY

Priest in pulpit big rough state-proper type.

Convict audience.

Alex sits apart tending an overhead projector.

PRIEST

I ask you friends. What's it going to be

then? Is it going to be in and out of

institutions like this?Or more in then out

for most of you? Or are you going to

attend the divine word and realise the

punishment that awaits unrepentant sinners

24th in the next world as well as this. A lot

of Idiots you are, selling your birthright

for a saucer of cold porridge. The urge to

live easy. I ask you friends, is it worth

it? When we have undeniable proof – yes,

my friends, incontrovertible evidence that

25th Hell exists. I know, I know, my friends. I

have been informed in visions that there

is a place darker than any prison, hotter

than any human flame of fire, where

26th unrepentant criminals, sinners like

yourselves...

A convict burps.

All laugh.

PRIEST

Don't you laugh, damn you, don't you

laugh. I say like yourselves – scream in

endless and unendurable agony. Their

nostrils choked with the smell of filth,

their mouths crammed with burning ordure.

Their skins rotting and peeling. A

27th fireball spinning in their screaming guts.

I know... oh yes, I know.

A convict lets rip some lip music – prrrrrrrp. There is laughter.

Chief Guard moves forward – points.

CHIEF GUARD

I saw you, 920537. I saw you.

CONVICT

Up yours, mate.

CHIEF GUARD

Just you wait, 744678. One on the turnip

coming up for you.

PRIEST

Quiet, my friends. Quiet. Quiet, I say. We

will now sing Hymn 258 in the Prisoner's

Hymnal.

Piano starts up and Alex starts up overhead projector which

displays the words of the hymn.

28th

CHIEF GUARD

Show a little reverence, you bastards.

Quiet!

Convicts and all start to sing.

SINGING

I was a wandering sheep.

I did not love...

CHIEF GUARD

Sing up damn you. Louder, sing up.

SINGING

... the fold

I did not love my shepherd's voice.

I would not be controlled.

CHIEF GUARD

Come on, sing up, damn you.

SINGING

29th I was a wayward child

I did not love my home

I did not love my father's voice

I loved afar to roam.

ALEX (V.O.)

It had not been edifying, indeed not,

being in this hell hole and human zoo for

two years now, being kicked and tolchocked

by brutal warders, and meeting leering

criminals and perverts ready to dribble

all over a lucious young malchick like

30th your story-teller.

INT. PRIEST'S LIBRARY – DAY

Alex reading the Bible.

ALEX (V.O.)

It was my rabbit to help the prison

charlie with the Sunday service. He was a

bolshy great burly bastard, but he was

very fond of myself, me being very young,

and also now very interested in the 31st  big

book.

Priest walks by and nods pleasantly.

ALEX (V.O.)

It had been arranged by the prison

charlie, as part of my further education

to read him the Bible. I didn't so much

like the latter part of the book which is

more like all preachy talking, than

fighting and the old in-out. I liked the

parts where these old yahoodies tolchock

each other and then drink their Hebrew

vino and, then getting on to the bed with

their wives' handmaidens. That kept me

going.

BIBLE FANTASY – FIGHTING – DAY

Biblical fighting shot. Alex slashing away. Blood spurting.

HANDMAIDEN FANTASY IN TENT – DAY

Alex lying with three semi-nude handmaidens.

EXT. BIBLICAL STREET

Christ being whipped on by Alex, dressed as a Legionary.

ALEX

Move on there. Move on.

ALEX (V.O.)

I read all about the scourging and the

1st June crowning with thorns and all that, and I

could viddy myself helping in and even

taking charge of the tolchocking and the

nailing in, being dressed in the height of

Roman fashion.

BACK TO THE LIBRARY

Alex sits with his eyes closed.

Priest comes over and squeezes his shoulder.

Alex looks up at him and smiles.

A Clockwork April

I'm a little later publishing this month than planned. Some PC trouble that doesn't amount to a hill o' beans when matched against the world's ongoing march to Ragnarok, but which has proved a colossal pain in the arse nonetheless...

Once again I would like to direct your attention to the wonderful Juli Kearns work on ACO, for example her analysis of the upcoming marina scene can be found here. There's insight aplenty along with some interesting parallels to others work. Highly recommended.

April Summary

1st - 4th: April begins at the marina where Alex issues his response to Georgie and Dim's challenge. 

 After his rule has been re-established

5th - 8th: the Droogs proceed to the Duke of New York snug to nurse their wounds and plan their next adventure. 

9th - 26th: Georgie knows of a health farm in the countryside which is occupied by a lone woman and her cats. 

Alex once again attempts the injured motorist routine

but is forced to scale the wall instead before confonting Mrs Weathers in an encounter that soon turns from comic to ultra violent.

Alex flees but finds his Droogs have vengeance on their mind. He is floored by Dim's milk bottle. The scene comes to an end with sirens approaching and the other droogs nowhere to be seen.

27th - 30th inclusive: Alex has been taken to the Police Station where the officers interrogate him, taking the opportunity to engage in some ultra violence of their own.  

As April showers give way to May flowers, the seedy Mr Deltoid makes another appearance to kick off the month.

April day by day

Note: There are minor differences between the screenplay text and the movie version. I've tried to get the timings correct, but there may be some inaccuracies, particularly where a passage takes place without dialogue.

EXT. FLATBLOCK MARINE – DAY

The gang come out of the flatblock and walk along the marina.

ALEX (V.O.)

As we walked along the flatblock marina, I

was calm on the outside but thinking all

the time,

1st April so now it was to be Georgie the

General, saying what we should do and what

not to do, and Dim as his mindless,

grinning bulldog. But, suddenly, I viddied

that thinking was for the gloopy ones and

that the oomny ones use like inspiration

and what Bog sends, for now it was lovely

music that came to my aid and I viddied at

once what to do. 

2nd There was a window open

with the stereo on.

IN SLOW MOTION

Alex clubs Georgie into water with his stick. Dim swings chain.

3rd Alex ducks. Dim goes into water.

Alex kneels, hands behind back, takes knife from sword stick,

offers hand to help Dim, 4th and slashes Dim when he gets it.

Dim falls back into the water.

Alex laughs.

5th INT. DUKE OF NEW YORK PUB

The four boys sit round table.

ALEX (V.O.)

I had not put into any of Dim's main

cables and so, with the help of a clean

tashtook, the red, red kroovy stopped, and

it did not take long to quieten the two

wounded soldiers, down in the snug in the

Duke of New York. Now they knew who was

Master and Leader. Sheep, thought I, 6th but a

real leader knows always when like to give

and show generous to his unders.

ALEX

Well, now we're back to where we were.

Yes? Just like before and all forgotten?

7th Right, right, right.

ALL BOYS

Right. Right. Right.

ALEX

Well, Georgie Boy. This idea you've got

for tonight. Well, tell us all about it

then.

GEORGIE

8th Not tonight – not this nochy.

ALEX

Come, come, come, Georgie Boy. You're a

big strong chelloveck like us all. We're

not little children, are we, Georgie Boy?

What, then, didst thou in thy mind have?

Confrontation. Georgie backs down.

GEORGIE

9th It's this Health Farm. A bit out of the

town. Isolated. It's owned by this like

very rich ptitsa who lives there with her

cats. The place is shut down for a week

and she's completely on her own, and it's

10th full up with like gold and silver and like

jewels.

ALEX

Tell me more, Georgie Boy.

INT. CATLADY'S HOUSE

Catlady doing yoga exercises.

Room is full of cats. 11th Doorbell rings.

CATLADY

(softly to herself)

Oh shit.

She goes to the door.

EXT. CATLADY'S HOUSE

CATLADY

Who's there?

ALEX

Excuse me, missus, can you please help?

There's been a terrible accident. Can I

please use your telephone for an

ambulance?

CATLADY

12th I'm frightfully sorry. There is a

telephone in the Public House about a mile

down the road. I suggest you use that.

ALEX

But, missus, this is an emergency. It's a

matter of life and death. Me friend's

lying in the middle of the road bleeding

to death.

CATLADY

13th I... I'm very sorry, but I never open. I'm

very sorry but I never open the door to

strangers after dark.

ALEX

Very well, madam. I suppose you can't be

blamed for being suspicious with so many

scoundrels and rouges of the night about.

14th Alex walks away from door, then ducks into the bushes where the

others are hiding. They put on their maskies and follow Alex round

to the rear of the house.

ALEX

Dim, bend down.

(Alex points to an

upstairs window)

15th I'm gonna get in that window and open the

front door.

He climbs up drain-pipe to the bathroom window.

INT. CADLADY'S HOUSE

16th The Catlady enters and dials a number.

CATLADY

17th Hullo, Radlett Police Station. Good

evening. It's Miss Weathers at Woodmere

Health Farm. Look, I'm frightfully sorry

to bother you but something rather odd has

just happened... Well, it's probably

nothing at all, but you never know...

18th Well, a young man rang the bell asking to

use the telephone... He said there had

been some kind of accident. The thing that

caught my attention was what he said – the

words he used, sounded exactly like what

was quoted in the papers this morning in

connection with the writer and his wife

who were assaulted last night... Well,

just a few minutes ago... 19th Well, if you

think that's necessary, but, well, I'm

quite sure he's gone away now. Oh...

alright. Fine. Thank you very much. Thank

you.

She puts phone down, turns and nearly jumps out of her leotard

when she sees Alex in the doorway.

ALEX

Hi, hi, hi there, at last we meet.

CATLADY

20th What the bloody hell d'you think you're

doing?

ALEX

Our brief govereet thru the letter hole

was not, shall we say, satisfactory, yes?

CATLADY

21st Now listen here, you little bastard, just

you turn around and walk out of here the

same way as you came in.

Alex eyes a giant white, fibreglass phallic sculpture on the table

beside him.

ALEX

Naughty, naughty, naughty, you filthy old

soomaka.

CATLADY

No! No! Don't touch it. That's a very

important work of art. 22nd What the bloody

hell do you want?

ALEX

You see, madam, I am part of an

international student's contest to see who

can get the most points for selling

magazines.

CATLADY

Cut the shit, sonny, and get out of here

before you get yourself in some very

serious trouble.

He rocks the giant phallus which has a special weight swinging

inside causing it to swing up and down an eccentric motion.

CATLADY

23rd I told you to leave it alone. Now get out

of here before I throw you out, wretched

slummy bedbug. I'll teach you breaking

into real people's houses. Get out!

24th She grabs up a bust of Beethoven and rushes at Alex. He grabs the

giant phallic sculpture.

Circling, Alex fends off her mad rushes with skilful jabs of the

giant phallus.

She ducks under and clobbers him with the heavy bust of Beethoven.

He goes down, pulling her off balance and they both wind up the

floor.

25th In the struggle, Alex bashes her with the phallus.

26th Distant Police sirens.

He exits.

EXT. CATLDAY'S HOUSE – NIGHT

Alex rushes out. Dim and the others are waiting.

ALEX

27th Come on. Let's go, the police are coming.

DIM

One minoota, droogie.

Dim smashes Alex in the face with a full milk bottle. He goes

down. The others run away, laughing.

ALEX

28th (screaming)

You bastards... bastards. 

INT. POLICE HQ – NIGHT

Inspector takes out cigarette and lights up.

INSPECTOR

Right. Right , Tom, 29th we'll have to our

little friend, Alex, here that we know the

law, too, but that knowing the law isn't

everything.

He nods to Fatneck.

FATNECK

30th That's a nasty cut you've got there,

little Alex. Spoils... all your beauty.

Who gave you that then... eh... eh...

He presses Alex's nose, inflicting great pain. Alex sinks to his

knees.

ALEX

Ow... what's that for, you bastard?

FATNECK

1st May: That was for your lady victim. You ghastly

wretched scoundrel.

Alex grabs his balls.

Alex is beaten by the other Cop.

Inspector exits to outside office where Sergeant sits, sipping a

cup of tea.

Deltoid has just entered.

INSPECTOR

Sergeant.

SERGEANT

Sir.

INSPECTOR

2nd May Ah, good evening, Mr. Deltoid.

DELTOID

Evening, Inspector.

SERGEANT

Would you like your tea now, sir?

INSPECTOR

No, thank you, Sergeant. We'll have it

later. May I have some paper towels,

please.

SERGEANT

Yes, sir.

INSPECTOR

We're interrogating the prisoner now.

Perhaps you'd care to come inside.

DELTOID

3rd May Thank you very much

They move into Interrogation Room.

Alex is on the floor in the corner covered with blood.

DELTOID

Evening, Sergeant. Evening, all. Dear,

dear, this boy does look a mess, doesn't

he? Just look at the state of him.

FATNECK

Love's young nightmare like.

INSPECTOR

Violence makes violence. He resisted his

lawful arrestors.

DELTOID

Well, it's happened, Alex boy, yes. Just

as I thought it would, yes. Dear, dear,

dear. Well, this is the end of the line

for me... the end of the line, yes.

ALEX

It wasn't me, brother, sir. Speak up for

me, sir, for I'm not so bad. I was led on

by the treachery of others, sir.

INSPECTOR

Sings the roof off lovely, he does that.

ALEX

And where are my stinking traitorous

droogs. Get them before the get away. It

was all their idea, brothers. They forced

me to do it. I'm innocent.

DELTOID

You are now a murderer, little Alex. A

murderer, yes.

A Clockwork 2022 - Timings for the rest of the year

Some recent PC trouble meant that I've fallen behind schedule and it struck me that publishing month by month like this may also hinder those who wish to look ahead for spoilers...  

So although the monthly breakdowns will continue, (if this aging laptop currently pressed into service manages to linger awhile) please find below the timings for the rest of the year. If you want to correlate with the movie and struggle to find a copy online, this excellent shot by shot analysis by Juli Kearns could be of assistance and the screenplay can be found here.

Date             Time

01/May 00:44:41.65

02/May 00:45:04.00

03/May 00:45:26.35

04/May 00:45:48.70

05/May 00:46:11.05

06/May 00:46:33.40

07/May 00:46:55.75

08/May 00:47:18.10

09/May 00:47:40.45

10/May 00:48:02.80

11/May 00:48:25.15

12/May 00:48:47.50

13/May 00:49:09.85

14/May 00:49:32.20

15/May 00:49:54.55

16/May 00:50:16.90

17/May 00:50:39.25

18/May 00:51:01.60

19/May 00:51:23.95

20/May 00:51:46.30

21/May 00:52:08.65

22/May 00:52:31.00

23/May 00:52:53.35

24/May 00:53:15.70

25/May 00:53:38.05

26/May 00:54:00.40

27/May 00:54:22.75

28/May 00:54:45.10

29/May 00:55:07.45

30/May 00:55:29.80

31/May 00:55:52.15

01/Jun 00:56:14.50

02/Jun 00:56:36.85

03/Jun 00:56:59.20

04/Jun 00:57:21.55

05/Jun 00:57:43.90

06/Jun 00:58:06.25

07/Jun 00:58:28.60

08/Jun 00:58:50.95

09/Jun 00:59:13.30

10/Jun 00:59:35.65

11/Jun 00:59:58.00

12/Jun 01:00:20.35

13/Jun 01:00:42.70

14/Jun 01:01:05.05

15/Jun 01:01:27.40

16/Jun 01:01:49.75

17/Jun 01:02:12.10

18/Jun 01:02:34.45

19/Jun 01:02:56.80

20/Jun 01:03:19.15

21/Jun 01:03:41.50

22/Jun 01:04:03.85

23/Jun 01:04:26.20

24/Jun 01:04:48.55

25/Jun 01:05:10.90

26/Jun 01:05:33.25

27/Jun 01:05:55.60

28/Jun 01:06:17.95

29/Jun 01:06:40.30

30/Jun 01:07:02.65

01/Jul 01:07:25.00

02/Jul 01:07:47.35

03/Jul 01:08:09.70

04/Jul 01:08:32.05

05/Jul 01:08:54.40

06/Jul 01:09:16.75

07/Jul 01:09:39.10

08/Jul 01:10:01.45

09/Jul 01:10:23.80

10/Jul 01:10:46.15

11/Jul 01:11:08.50

12/Jul 01:11:30.85

13/Jul 01:11:53.20

14/Jul 01:12:15.55

15/Jul 01:12:37.90

16/Jul 01:13:00.25

17/Jul 01:13:22.60

18/Jul 01:13:44.95

19/Jul 01:14:07.30

20/Jul 01:14:29.65

21/Jul 01:14:52.00

22/Jul 01:15:14.35

23/Jul 01:15:36.70

24/Jul 01:15:59.05

25/Jul 01:16:21.40

26/Jul 01:16:43.75

27/Jul 01:17:06.10

28/Jul 01:17:28.45

29/Jul 01:17:50.80

30/Jul 01:18:13.15

31/Jul 01:18:35.50

01/Aug 01:18:57.85

02/Aug 01:19:20.20

03/Aug 01:19:42.55

04/Aug 01:20:04.90

05/Aug 01:20:27.25

06/Aug 01:20:49.60

07/Aug 01:21:11.95

08/Aug 01:21:34.30

09/Aug 01:21:56.65

10/Aug 01:22:19.00

11/Aug 01:22:41.35

12/Aug 01:23:03.70

13/Aug 01:23:26.05

14/Aug 01:23:48.40

15/Aug 01:24:10.75

16/Aug 01:24:33.10

17/Aug 01:24:55.45

18/Aug 01:25:17.80

19/Aug 01:25:40.15

20/Aug 01:26:02.50

21/Aug 01:26:24.85

22/Aug 01:26:47.20

23/Aug 01:27:09.55

24/Aug 01:27:31.90

25/Aug 01:27:54.25

26/Aug 01:28:16.60

27/Aug 01:28:38.95

28/Aug 01:29:01.30

29/Aug 01:29:23.65

30/Aug 01:29:46.00

31/Aug 01:30:08.35

01/Sep 01:30:30.70

02/Sep 01:30:53.05

03/Sep 01:31:15.40

04/Sep 01:31:37.75

05/Sep 01:32:00.10

06/Sep 01:32:22.45

07/Sep 01:32:44.80

08/Sep 01:33:07.15

09/Sep 01:33:29.50

10/Sep 01:33:51.85

11/Sep 01:34:14.20

12/Sep 01:34:36.55

13/Sep 01:34:58.90

14/Sep 01:35:21.25

15/Sep 01:35:43.60

16/Sep 01:36:05.95

17/Sep 01:36:28.30

18/Sep 01:36:50.65

19/Sep 01:37:13.00

20/Sep 01:37:35.35

21/Sep 01:37:57.70

22/Sep 01:38:20.05

23/Sep 01:38:42.40

24/Sep 01:39:04.75

25/Sep 01:39:27.10

26/Sep 01:39:49.45

27/Sep 01:40:11.80

28/Sep 01:40:34.15

29/Sep 01:40:56.50

30/Sep 01:41:18.85

01/Oct 01:41:41.20

02/Oct 01:42:03.55

03/Oct 01:42:25.90

04/Oct 01:42:48.25

05/Oct 01:43:10.60

06/Oct 01:43:32.95

07/Oct 01:43:55.30

08/Oct 01:44:17.65

09/Oct 01:44:40.00

10/Oct 01:45:02.35

11/Oct 01:45:24.70

12/Oct 01:45:47.05

13/Oct 01:46:09.40

14/Oct 01:46:31.75

15/Oct 01:46:54.10

16/Oct 01:47:16.45

17/Oct 01:47:38.80

18/Oct 01:48:01.15

19/Oct 01:48:23.50

20/Oct 01:48:45.85

21/Oct 01:49:08.20

22/Oct 01:49:30.55

23/Oct 01:49:52.90

24/Oct 01:50:15.25

25/Oct 01:50:37.60

26/Oct 01:50:59.95

27/Oct 01:51:22.30

28/Oct 01:51:44.65

29/Oct 01:52:07.00

30/Oct 01:52:29.35

31/Oct 01:52:51.70

01/Nov 01:53:14.05

02/Nov 01:53:36.40

03/Nov 01:53:58.75

04/Nov 01:54:21.10

05/Nov 01:54:43.45

06/Nov 01:55:05.80

07/Nov 01:55:28.15

08/Nov 01:55:50.50

09/Nov 01:56:12.85

10/Nov 01:56:35.20

11/Nov 01:56:57.55

12/Nov 01:57:19.90

13/Nov 01:57:42.25

14/Nov 01:58:04.60

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